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Lagunzad v. Gonzales
[GR 32066, Aug. 6, 1979]
Petitioner Manuel Lagunzad, a newspaperman, began the production
of a movie entitled "The Moises Padilla Story" under
the name of his own business outfit, the "MML Productions."
It was based mainly on the copyrighted but unpublished book
of Atty. Ernesto Rodriguez, Jr., entitled "The Long Dark
Night in Negros" subtitled "The Moises Padilla Story.
The Supreme Court held that while it is true that petitioner
had purchased the rights to the book, that did not dispense
with the need for prior consent and authority from the deceased
heirs to portray publicly episodes in said deceased's life
and in that of his mother and the members of his family. As
held by the court, “a privilege may be given the surviving
relatives of a deceased person to protect his memory, but
the privilege exists for the benefit of the living, to protect
their feelings and to prevent a violation of their own rights
in the character and memory of the deceased.”
Petitioner's averment that private respondent did not have
any property right over the life of Moises Padilla since the
latter was a public figure, is likewise not well taken by
the court. It ruled that the right to invade a person's privacy
to disseminate public information does not extend to a fictional
or novelized representation of a person, no matter how public
a figure he or she may be. In the case at bar, while it is
true that petitioner exerted efforts to present a true-to-life
story of Moises Padilla, petitioner admits that he included
a little romance in the film because without it, it would
be a drab story of torture and brutality.
In the case at bar, the interests observable are the right
to privacy asserted by respondent and the right of freedom
of expression invoked by petitioner. Taking into account the
interplay of those interests, it was held under the particular
circumstances of this case, and considering that the petitioner
assumed obligations under a Licensing Agreement, the validity
of such agreement will have to be upheld particularly because
the limits of freedom of expression are reached when expression
touches upon matters of essentially private concern. |